Released: 06/06/25
Originally released in 2018, Sarah Davachi’s Let Night Come On Bells End The Day is a meditative exploration of timbre, tone, and temporal space using mellotron, electric organ, piano, and synthesizer. Blending minimalist principles with baroque suspensions and experimental textures, the album evokes a surreal, immersive atmosphere. Ranked #6 in The Wire’s Top 50 that year, it’s now reissued by Late Music alongside two other key works (Barons Court and All My Circles Run), reaffirming Davachi’s status as a master of sonic subtlety and psychoacoustic depth.