Released: 06/06/25
Sarah Davachi’s 2015 debut Barons Court is a collection of extended electroacoustic solo and chamber works, recorded across Canada, California, and Europe with Bay Area collaborators. Marking the beginning of her exploration into psychoacoustic nuance, the album blends minimalism, baroque harmonics, and experimental textures to create immersive soundscapes that blur the line between consonance and dissonance. Now reissued by Late Music, it stands alongside All My Circles Run (2017) and Let Night Come On Bells End The Day (2018) as a cornerstone of Davachi’s early, genre-defining output.