Eric D. Johnson’s The Landfill, released under Fruit Bats, is a deeply personal yet collaborative album inspired by memory and emotional weight.
Following the spontaneous creation of Baby Man, Johnson brought that immediacy into a full-band setting, recording live with minimal overdubs to capture raw chemistry.
The result is a vibrant, psychedelic indie rock record balancing romance and melancholy—one of Johnson’s most honest and expansive works to date.